完整後設資料紀錄
| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.author | 劉靜敏 | |
| dc.contributor.other | Ching-Ming Liu | |
| dc.date.accessioned | 2020-08-25T06:53:33Z | - |
| dc.date.available | 2020-08-25T06:53:33Z | - |
| dc.date.issued | 2012/10/05 | |
| dc.identifier.issn | 1682-587N | |
| dc.identifier.uri | http://dspace.fcu.edu.tw/handle/2376/2393 | - |
| dc.description.abstract | 本篇論文以唐至五代時期的長沙窯瓷器上之詩文題記為研究對象，探討長沙窯題記風格之盛行年代，從考古的地層分析、題記與唐代詩人作品或唐代流行的通俗讀物的相關性，論述長沙窯及其題記興衰的斷代依據。_x000D_ 長沙窯的相關研究，是隨著窯址、墓葬的考古發掘，以及文物的出土，才展開的一個新課題。由於長沙窯是一處以生產民間日常使用陶瓷為主的窯場，其特色便是在產品表面，用書法題寫詩文的方式來裝飾瓷器，以達到商品行銷的目的。這種創新的手法，不但將文學透過陶瓷器用，把思想和生活結合在一起，也開啟了詩文裝飾陶瓷的先河，對中國陶瓷裝飾技術產生了深遠的影響。尤其此種題寫詩歌、格言俗諺一類的裝飾題記，充分反映了唐、五代時期，詩歌風行的盛_x000D_ 況，以及民間通俗文學的內容。 | |
| dc.description.sponsorship | 逢甲大學 | |
| dc.format.extent | 32 | |
| dc.language.iso | 中文 | |
| dc.relation.ispartofseries | 逢甲人文社會學報 | |
| dc.relation.isversionof | 第五期 | |
| dc.subject | 長沙窯 | |
| dc.subject | 題記 | |
| dc.subject | 陶瓷 | |
| dc.subject | 唐五代 | |
| dc.subject.other | Changsha Kiln | |
| dc.subject.other | Porcelains | |
| dc.subject.other | Inscription on the porcelains | |
| dc.subject.other | Tang Five Dynasties | |
| dc.title | 從題記論長沙窯斷代之研究 | |
| dc.title.alternative | A Study on the Inscription on the Porcelains of Changsha Kiln | |
| dc.type | 期刊篇目 | |
| dc.description.translationabstract | This paper attempts to study the inscriptions on the porcelains procduced by Changsha Kiln during the period from Tang to Five Dynasties in order to understand the literary style and the relations between these inscriptions and the poems and _x000D_ popular readings of Tang. _x000D_ Changsha Kiln had been famous as a porcelain kiln from Tang and Five Dynasties, and the related study on it started with the excavation of the kiln and tombs, and with the discovery of cultural relics. This kiln mainly produced porcelains for _x000D_ daily use, which were characterized by the calligraphically written inscriptions on their surfaces as a way of decorating products for successful marking. This renovation not only combined the thinking and life of the day but also led the fashion to decorate porcelains with verse, prose, and proverbs. There is no doubt that this _x000D_ had profound influence on the technique of Chinese porcelain decoration. In particular, these inscriptions fully reflect both the popularity of the verse and prose and the contents of folk literature. | |
| 分類: | 第05期 | |
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