完整後設資料紀錄
| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.author | 李寶玲 | |
| dc.contributor.other | Li Po-ling | |
| dc.date.accessioned | 2020-08-25T06:54:43Z | - |
| dc.date.available | 2020-08-25T06:54:43Z | - |
| dc.date.issued | 2012/10/05 | |
| dc.identifier.issn | 1682-587N | |
| dc.identifier.uri | http://dspace.fcu.edu.tw/handle/2376/2404 | - |
| dc.description.abstract | 這篇論文分為四部分：首先對王建、花蕊夫人《宮詞百首》詩作，加以校對勘定，以作為後文進行討論之基礎；第二部分則是對於《宮詞百首》體制形成的過程，做進一步的爬梳，並從王昌齡、李白的作品發現其二人對《宮詞百首》內容之影響，另外也從南朝宮體詩與初唐宮廷詩加以考察，闡釋其對《宮詞百首》語言之影響；第三部分針對王建、花蕊夫人《宮詞百首》的作品內容，分為衣、食、住、行、慶壽與娛樂六項，加以分析並探討其差異性；最後，總結王建、花_x000D_ 蕊夫人《宮詞百首》之特色，從《宮詞百首》獨立於中國古代詩歌傳統之外、獨立於中國古代女性角色傳統之外、獨立於中國古代性別書寫傳統之外三個角度來肯定其價值。 | |
| dc.description.sponsorship | 逢甲大學 | |
| dc.format.extent | 32 | |
| dc.language.iso | 中文 | |
| dc.relation.ispartofseries | 逢甲人文社會學報 | |
| dc.relation.isversionof | 第六期 | |
| dc.subject | 唐五代 | |
| dc.subject | 唐詩 | |
| dc.subject | 宮詞 | |
| dc.subject | 王建 | |
| dc.subject | 花蕊夫人 | |
| dc.subject.other | T’ang and the Five Dynasties | |
| dc.subject.other | the Kung poetry | |
| dc.subject.other | Wang Chien | |
| dc.subject.other | Madame Hwa Roei | |
| dc.title | 王建、花蕊夫人《宮詞百首》之比較 | |
| dc.title.alternative | A Tentative Comparison between Wang Chien’s and Madame Hwa Roei’s 100 Kung Poems | |
| dc.type | 期刊篇目 | |
| dc.description.translationabstract | This paper comprises four parts. Firstly, it respectively proofreads and collates Wang Chien’s 100 Kung Poems and the 100 Kung Poems of Madame Hwa Roei (Madame Flower Bud). The second part intends to further comb and tidy up the forming process of the Kung poems and, by perusing Li Po’s and Wang ch’ang Ling’s poetry, find out their influence on the Kung poems. Besides, it also examines the Kung Poetry of the Southern Dynasty and that of the early T’ang Dynasty and shows how _x000D_ much they influenced the two sets of the 100 Kung Poems._x000D_ The third part, analyzing and paralleling their contents with emphasis on such essential requirements of those times as clothing, food, housing, transportation, birthday celebration and recreation, aims to discover the difference between the two kinds of 100 Kung Poems under discussion. Lastly, this paper summarizes the _x000D_ characteristics and values of the poetic arts of the two poets, viewing their 100 Kung Poems as independent of the tradition of the ancient Chinese poetry, of the traditional role of the ancient Chinese female, and of the tradition of the ancient Chinese writings on sexuality. | |
| 分類: | 第06期 | |
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