完整後設資料紀錄
| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.author | 文淑菁 | |
| dc.contributor.other | Shu-Ching Wen | |
| dc.date.accessioned | 2020-08-25T07:08:50Z | - |
| dc.date.available | 2020-08-25T07:08:50Z | - |
| dc.date.issued | 2012/10/31 | |
| dc.identifier.issn | 1682-587N | |
| dc.identifier.uri | http://dspace.fcu.edu.tw/handle/2376/2541 | - |
| dc.description.abstract | 白蛇故事是一則淒美的民間傳說，並以話本小說、戲曲、講唱等不同之文學形式活躍、滋長，這其間漫長的流變過程及其箇中意涵，向為學界所關注。田漢編撰之京劇《白蛇傳》，推出後備受推崇，並樹立了當代白蛇戲曲搬演之典範，其筆下的白蛇形象，已由先前可怖的「蛇妖」，演變為可憐可敬的「蛇仙」，而其「賢妻」、「人母」身分的深化，更使白蛇一角霑染了濃厚的「人」的色彩。_x000D_ 然而白蛇形象的轉變並非平地而生，考查明清兩代的白蛇故事與戲曲，已可見其蛻變痕跡，而這樣的轉變實導因於對觀眾期盼的回應。庶民大眾對於愛情、親情的的強烈嚮往，使得白蛇故事逐漸擺脫了「神怪」性質，而更趨近於「人世」，這增添了白蛇故事的庶民色彩，並彰顯出新的時代意義。 | |
| dc.description.sponsorship | 逢甲大學 | |
| dc.format.extent | 25 | |
| dc.language.iso | 中文 | |
| dc.relation.ispartofseries | 逢甲人文社會學報 | |
| dc.relation.isversionof | 第二十期 | |
| dc.subject | 白蛇 | |
| dc.subject | 田漢 | |
| dc.subject | 白蛇傳 | |
| dc.subject | 庶民 | |
| dc.subject.other | White Snake | |
| dc.subject.other | Tian Han | |
| dc.subject.other | The Legend of White Snake | |
| dc.subject.other | civilian | |
| dc.title | 論田漢《白蛇傳》對白蛇形象之再塑及其意義 | |
| dc.title.alternative | The Reshaping of White Snake Image and Its Significance—A Case Study of Tian Han's The Legend of White Snake | |
| dc.type | 期刊篇目 | |
| dc.description.translationabstract | The story of White Snake is a sad and yet beautiful folk legend. It has been well_x000D_ presented and has continued to thrive through different literary genres such as novel, drama, and recital. Its long period of transformation and its development in connotation have always caught great attention from the academia. After its debut, the Chinese opera The Legend of White Snake produced by Tian Han has been highly_x000D_ praised, and has set up an example of current White Snake dramatic presentation on the stage. The image of Tian Han’s White Snake has transformed from the original scary “monstrous snake” to the poor and respectable “celestial snake,” while the White Snake’s role of a “good wife” and “mother” has been more associated with the “human” image. However, this image transformation does not come without a clue._x000D_ The White Snake tales and dramas appearing in the Ming and Qing Dynasty have shown the trace of its transformation, and such change is actually a response to the expectation of the audience. People’s strong yearning for love and affection urges the White Snake story to get rid of its nature of “spirits and demons,” and to be more_x000D_ inclined to the “human world.” This not only adds civilian color to the story but also reflects its new meaning of the time. | |
| 分類: | 第20期 | |
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