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dc.contributor.author蘇慧霜
dc.contributor.otherHui-Shuang Su
dc.date.accessioned2020-08-25T07:09:20Z-
dc.date.available2020-08-25T07:09:20Z-
dc.date.issued2010/12/01
dc.identifier.issn1682-587N
dc.identifier.urihttp://dspace.fcu.edu.tw/handle/2376/2548-
dc.description.abstract張炎《詞源》確立「騷雅」為宋詞的審美標準,南宋騷雅詞派與詞鋒的興起,抒情與哲理兼具的文化內涵,反應在騷雅詞作中,構成獨特的審美價值與藝術精神,是一種文學現象更代表一種文化現象,在詞使發展史中有深刻的影響與意義。
dc.description.sponsorship逢甲大學
dc.relation.ispartofseries逢甲人文社會學報
dc.relation.isversionof第二十一期
dc.subject宋詞
dc.subject離騷
dc.subject抒情
dc.subject哲理
dc.subject.otherSong Ci Poetry
dc.subject.otherlyricism
dc.title宋代騷雅詞的抒情與哲理之歷史進程與意義
dc.title.alternativeThe History Progress and Meanings of the Lyricism and Philosophy of Sao Ya Ci Poetry in Song Dynasty
dc.type期刊篇目
dc.description.translationabstractAbstract The book “Tzu Yuan” written by Chang Yen established “Sao Ya” as the aesthetic standard of Ci Poetry in Song Dynasty. Besides, the rise of the school and the style of Sao Ya Ci Poetry and its high-class artistic features showed in the works of Sao Ya Ci Poetry and constituted special aesthetic values and the spirit of arts. Sao Ya Ci Poetry is not only a literature phenomenon but also a culture phenomenon and has a significant representational meaning of the development of the history of Ci Poetry.
分類:第21期

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